Say after me: conversation with Wayne Koestenbaum
Almost there: on Eve Sedgwick's The Weather in Proust
Beyond all change: on Ben Lerner's 10:04
From importunate to meretricious, with love: conversation with Brian Blanchfield
Changing the forms in dreams: on Alice Notley's The Descent of Alette
A girl walks into a bar...: on Peggy Ahwesh and Keith Sanborn's The Deadman
Porousness, perversity, pharmacopornographia: on Matthew Barney's OTTO trilogy
If I didn't tell it: on Zackary Drucker and Rhys Ernst's Relationship
The reenchantment of Carolee Schneemann
By sociality, to sociality: on Fred Moten's Black and Blur
A life, a face, a gaze: conversation with Moyra Davey
Suicide Blonde at 25: on Darcey Steinke
Like love: a tribute to Hilton Als
O that wave: on Samantha Hunt's The Seas
No excuses: the art of Sarah Lucas
A continuity, imagined: conversation with B̲jrk
The understory: on Kara Walker's Event Horizon
Eighteen theses on Rachel Harrison
At Giṛ's: on rereading Natalia Ginzburg's "Winter in the Abruzzi" at the start of a pandemic
Coming hungry to no wrong holes: the art of Nayland Blake
The longest road: conversation with Jacqueline Rose
This living hand, or, my Heřv Guibert
I just want to know what else might be available: conversation with Simone White
My brilliant friend: on Lhasa de Sela
The call: in honor of Judith Butler
The inoculation: on Dani and Sheilah ReStack's Feral Domestic trilogy
For who knows how long: on Ari Marcopoulos's Zines
And with trees: conversation with Eileen Myles.
